Valvojat: SisterClitorides, Dragon















Meikä tässä nyt sitten kuuntelee koko levyä
En ole vielä päässyt WTE:a pidemmälle eli seuraavana SBV.. iik.. pistin levyn iPodillekin et pääsen sitä siellä kuuntelemaan. OMG.. Strong Black Vine!!! Noi jouset kuulostaa ihan Bondin leffalta..









What would Jesus do? As Tori Amos sees it, probably something dirty. Exploring themes of religious and carnal power on Abnormally Attracted to Sin, she's heavy-breathing about blood and wine and saints and getting down on her knees (for nonsaintly reasons), likely setting the librarians in some university's human-sexuality archives all atwitter. Sometimes her brains get a little too big for her Bible: On ''Mary Jane,'' she fails to find a rhyme for ''tetrahydrocannabinol pure isomer dronabinol.'' But when she's banging on her piano over layers of lush electronics, she's got the rapture part down. B
A bit of a meal to get through, with random styles zigzagging about.
Ian Wade 2009-05-12
Her place in pop history is fairly secure: slightly 'kooky', loved and used as intro music by Nirvana; comfortable in both confessional singer-songwriter mode or being sampled and taken down the rave up; her best of collection was one of those 'crikey, I know and enjoy more Tori tuneage than I thought' delights.
After something like 20 years in the business, long term fans know pretty much what to expect from Tori Amos, and for this her tenth album, she doesn't disappoint. More straightforward than the 23-track concept fest of her last album American Doll Posse, but still as beguiling, even a passing Amos observer would find much to enjoy. Abnormally Attracted To Sin is also accompanied with a DVD of 'visualettes', although that sentence will either bring joy or despair depending on where you stand on the Amos.
To be honest, Abnormally Attracted To Sin is a bit of a meal to get through, with random styles zigzagging about, a little editing may have helped it to be more memorable rather than just slightly exhausting, although, to be fair, it does represent good value for your buck even if you may have a couple of points in the 75-odd minutes where you've forgotten it's playing.
Opener Give slinks in Twin Peaks-ily, with the now traditional themes of religious imagery and, well, men creeping in on Strong Black Vine; Welcome To England is Amos-by-numbers; Flavor and Maybe California are archetypal Amos, while the seven-minute soft jazz stylings of Lady In Blue pass by reasonably painlessly.
Perhaps there's just a bit too much on this album, such dilemmas shouldn’t really be much of a problem, but surely the point of making an album such as this, is for it to be heard as it is, and not to be hacked down into more tolerable digestable moments. A shame.








singer reassembles herself with a plodding set of ballads
after splitting into five separate personalities for 2007's american doll posse, tori amos pulls herself back together again on her latest. the result is a set of prog-inspired balladry with less bounce than her last disc. the plodding "strong black vine" has amos saving folks from "that evil faith" over strings straight out of zepplin's "kashmir," and "police me" is a multitracked mess of percussion, orchestration and new wave synth lines. among the standouts: the ballad "maybe california," a tender show of empathy for a mother about to throw herself off a cliff. -mark kemp
key tracks: welcom to england, maybe california


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